Rackitt

about

Rackitt, rak’et, n. A confused din; clamour; the bat used in tennis, &c. ; make a racket; to frolic! Rackitt’s involvement in the dance scene has spanned over a whole decade. An early introduction to acid house in the late 80’s soon turned into a passion and almost immediately she started to learn to DJ. 1996 saw her play her first gigs on the free party scene with support from Acid Techno stalwarts, Aaron and Chris Liberator, both of whom introduced her to the Immersion sound system crew. It was only a matter of time before she was making a right old Rackitt! Over the next few years she was invited to play on other various reputable sound systems, such as Virus and Bedlam, before moving on to join the London squat party collectives ‘Underground Sound’, ‘Restless Natives’ and ‘Manik’, making a name for herself as one of the most talented and versatile new DJs. Her style, ‘Hard Edged, Techno/ Acid Techno’ has taken her throughout the country playing clubs, festivals and the more infamous Teknivals, as well as having the opportunity to play a selection of gigs overseas in Europe, Asia, North America and South America. Aside from the travelling, Rackitt has also taken the opportunity to make her mark in the studio by recording tracks on such imprints as ‘Maximum Minimum’, ‘RAW’ and ‘Pure Noise’, as well as remixing popular Acid Techno anthems such as D.A.V.E. The Drummer’s, ‘Build Up The Pressure’. When she is not DJ’ing and writing music, she puts her knowledge and experie

top songs

albums

similar artists