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Artist
Prego
12+ albums
alternative rockpost-rockemoacousticshoegaze
about
"It takes a while to build a sound this big," ponders Prego frontman, Edd Simpson, "It also takes the right people to build it." That sound being a colossal 10-armed substation of tempered ambition and amplification that, within the bat of an eyelid, can power down to the echo of footsteps, before snapping back larger and louder than ever before. It’s a bastard to get right – reigning in the piercing frequencies of three rival guitars, oddball synths, borrowed basses and lateral drums – but dagnammit on a good night it can sound mega. It’s also a sound that’s taken two years to shape and countless players to mould; with the only point of balance being the consistently elevated quality of Simpson’s melody-anchored song-craft. Break-ups and battles with faith, cultivated by expectation and her unhappy bedfellow despair, spoon-feed the stimulus, while glowing reviews and over 4700 myspace friends will it to overachieve. An anteroom in a former East London canal-side chapel is Prego’s home, complete with ProTools, a grubby sofa and two soft-porn flatmates. In winter it’s freezing, in summer unbearable. But, although in desperate need of ashtrays and a paint job, it’s their own. From here the church newspaper receptionist, electrical engineer, budding illustrator, fine-artist turned studio boffin and film student make music things that have so far turned up on a top selling compilation (Spring 2005’s ‘The Suffolk Explosion’) and a sold out EP (Autumn 2005’s four-song ‘Prim
