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Artist
Pietro Beretti (often also encountered under the variant Baretti) is a lightly documented eighteenth-century composer whose secure historical footprint is anchored above all in a London music-print of chamber sonatas rather than in a detailed narrative biography. The standard modern dating that circulates for him is 1705–1759, with Italy given as his origin, but the presently consultable open sources do not provide a robust, primary-document trail for his birth details, and even his place of death is not securely fixed in the evidentiary layer used for this run. A commonly repeated identification links him with a London burial on 6 October 1759 in Bethnal Green, but in the materials consulted here that link appears as an inference rather than as a demonstrated archival match, and should be treated as a hypothesis unless supported by parish-register or archival documentation that explicitly ties “Pietro Beretti” to that record. Where Beretti becomes concretely visible is in print culture. A collection titled Six Sonatas for Two Violins with a Thorough Bass for the Harpsicord or Violoncello, attributed to “Sig.r Pietro Beretti,” was issued in London by the publisher I. Walsh, with cataloguing traditions and scan metadata placing it around 1755. This publication is consistent with the mid-century London market for imported and Anglo-Italianate chamber repertory, and it gives Beretti an unambiguous compositional “handle”: a set of trio-sonata-type works for two violins and conti
Sonata for Salterio and Continuo in G Major: I. Allegro (II)
62Sonata for Salterio and Continuo in G Major: III. Allegro
63Sonata for Salterio and Continuo in G Major: II. Andante
54Sonata for Salterio and Continuo in G Major: IX. I. Allegro (II)
25I. Allegro - Remastered
16II. Andante - Remastered
17III. Allegro - Remastered
18Sonata for Salterio and Basso in G Major: I. Allegro
19Sonata for Salterio and Basso in G Major: III. Allegro
110Sonata for Salterio and Continuo in G Major: XI. III. Allegro
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