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Pierre Passereau (fl. 1509 – 1547) was a French composer of the Renaissance. Along with Clément Janequin, he was one of the most popular composers of "Parisian" chansons in France in the 1530s. His output consisted almost exclusively of chansons; most of them were published by printer Pierre Attaingnant. Most of them were "rustic" in character, similar to patter songs, using onomatopoeia, double entendres, and frequent obscenity, a common feature of popular music in France and the Low Countries in the 1530s.[1][2] User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Il est bel et bon
1,7152ll est bel et bon, commere, mon mary: Il est bel et bon
4453Passereau: Il est bel e bon
2454Il est bel et bon, commere, mon mary
855Il est bel et bon: Il est bel et bon
826Overture (arr. G. Emlen for wind ensemble)
577Il est bel et bon (arr. M. Dall'Aquila for lute)
578Passereau: Pourquoi donc ne fringuerons nous ?
239Passereau: Il Est Bel Et Bon
2110Il est bel et bon?
20The King's Singers Live at the BBC Proms

Madrigal History Tour

The Book of Madrigals

Chamber Music (Renaissance) - Busnoys, A. / Agricola, A. / Josquin Des Prez / Compere, L. (Music for Alta Capella Around 1500) (Les Haulz Et Les Bas)
The Golden Age of European Polyphony
The Age of Humanism

Marco Dall'Aquila: Pieces for Lute
New Renaissance

French Chansons
Il est bel et Bon
Come Along

Masterpieces for Choir