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Artist
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with Văn Cao and Trịnh Công Sơn. His music is noted for combining elements of traditional music with new methods, creating melodies that are both modern and traditional. A politically polarizing figure, his entire body of work was banned in North Vietnam during the Vietnam War and subsequently in unified Vietnam for more than 30 years until the government began to ease restrictions on some of his work upon his repatriation in 2005. Pham Duy divided his career into several periods: Folk Songs (Dân Ca), which recorded the images of the Vietnamese during the struggle for independence, culminating in his Song Cycles (Truong Ca), which join several folk tunes to proclaim the greatness of the Vietnamese people. Included in this period is his 1968 album, Folk Songs of Vietnam, released on Folkways Records. Heart' Songs (Tâm Ca) - which aimed to awake humanity's conscience, to protest against violence and inhumanity. Spiritual Songs (Đạo Ca), with a Zen character, which aimed to seek for the truth. Profane Songs (Tục Ca), which tackled head-on hypocritical attitudes and phony virtues. C