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Artist
The first song Angelina Moysov wrote is about a little girl standing at a window watching the moon cry tears of blood. The moon is saddened by the way humans treat one another. Moysov was 13 when she penned the song, living in her hometown of Pyatigorsk, Russia, under a perpetually pale sky. The porcelain-skinned Russky’s prose continued to blossom from there. When accomplished guitarist Tom Ayres got a taste – shortly after Moysov moved to the States – Persephone’s Bees took flight. Trying to confine the Oakland-based quartet to a specific genre is a lost cause. Persephone’s is more like an elephant-sized beehive stuffed with Russ Meyers’ Beyond the Valley of the Dolls, John Lennon and Yoko Ono’s Double Fantasy, the poetry of Osip Mandelstam (“Persephone’s Bees” is a phrase from one of his works) and most importantly, life experience. Moysov finds muses in everything she experiences and at some point, it overflows into her songwriting. “I can never force myself to write a song,” Moysov says. “I need inspiration; I have to read, watch my favorite movies, look at art and the people around me. When someone asks me what kind of music we play I always say, ‘It’s everything,’ or ‘It’s music.’” One book that inspired a new song was The Master and Margarita (also the title of the song and Mick Jagger’s inspiration for “Sympathy for the Devil”) by Russian writer Mikhail Bulgakov. Persephone’s released their first album City of Love in 2002, but the world took notice in 2005 aft