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Paul Hallmann (Born: August 11, 1600 - Friedland Died: January 11, 1650 - Breslau) was a German composer. He was a member of the Kapelle of Duke Georg Rudolph at Liegnitz (Legnica). Described as a ‘gentleman from Strachwitz, near Liegnitz’, he became, through the duke’s admiration for him, a member of the nobility on January 31, 1624, and he was nominated to the princely council in 1632. Of the sacred works Paul Hallmann wrote for the Protestant ducal court, 14 were formerly kept in the celebrated Biblioteca Rudolphina at Liegnitz. Owing to the scattering of this collection during World War II, some of them disappeared and the rest remained incomplete. Scholz, who knew the Rudolphina before the war, divided Hallmann's works into three groups. The first comprises three masses, a Kyrie and a Magnificat. The five-part mass consists of Kyrie, Gloria and Sanctus, the first movement in Greek, the other two in German. The two six-part masses are both in Latin and both in the form of the missa brevis; one is based on the motet Jerusalem gaude by Jacobus Handl (150 of whose works were in the Rudolphina). According to Scholz no connection with the 5th tone is recognizable in the Magnificat; it was possibly heard, in accordance with alternatim practice, in the even-numbered verses: Hallmann set only the odd-numbered ones. The second category of works consists of four-part harmonizations of melodies, three of which - A solis ortu cardine, Christum wir sollen loben schon and Was fürchtst