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Artist
The Flemmish Paul De Vree, avant-garde literary theoretician and poet, was one of the first to interest himself in visual and sound poetry in the post-war period. He is the author of numerous sound poems, most of them realized at the electronic music laboratory at Utrecht. De Vree’s poems have an intimate character typical of Flemish and Nordic poetry. “Vertigo gli”, “Veronika”, “Ogenblik” “Kleine Caroli”, “Een roos a rose” “Organon” “April am Rheine”, are some which have become famous and have been issued on many records. Playing on phonicsemantic associations, intensifying them by means of precisely calculated reverberations, he creates harmonic alliterations perfectly correspondent to the emotional tension of the written text, which is immersed in a suggestive atmosphere of timbre. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
? Concrete Poetry
Ou 28-29 30-31 33
Futura Poesia Sonora (Disc 4)

Revue OU
UbuWeb / PennSound Archive
Text-Sound Compositions - A Stockholm Festival
Revue Ou 28-29, 30-31, 33 (Alga Marghen Box Set - Disc 2; 2002)

Futura Poesia Sonora
Phonetische Poesie

Revue Ou 28-29 30-31 33
Hippocosmos - Onuitgegeven Opnames 1967-1979

Hippocosmos, Onuitgegeven Opnames 1967-1979