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Artist

Ophelia Gordon

6+ albums

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about

Ophelia Gordon is a British pianist known for her dynamic performances and unique artistic background. In November 2025, she will release her debut album, Kapustin: Between the Lines, under Divine Art Recordings, making her the first female British pianist to record a full album of Nikolai Kapustin’s works. Her career spans teaching, performing, and collaborative piano, and she is currently on the faculty at Alleyn’s School, one of London’s leading schools for music and the arts. She has won 1st place at the ARS Nova International Competition and serves as the Resident Pianist for the Art Song Preservation Society at the Manhattan School of Music in New York. A versatile musician, Ophelia began her journey at the BRIT School, where she studied classical guitar, piano, and double bass. She earned her Bachelor’s of Music at Durham University and City University London, and is currently pursuing a Master’s degree at Trinity Laban Conservatoire, where she was awarded both the Trinity College London Scholarship and the Cutlers’ Scholarship. She studies under Ji Liu, the Head of Keyboard at Trinity Laban. She will also be the first BRIT School alum to release a classical album, cementing her place as a groundbreaking artist in the classical world. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

top songs

1

Big Band Sounds, Op. 46

27
2

24 Jazz Preludes, Op. 53: No. 5, Largo

27
3

8 Concert Etudes, Op. 40: No. 1, Prelude

25
4

24 Jazz Preludes, Op. 53: No. 4, Allegretto

18
5

8 Concert Etudes, Op. 40: No. 2, Reverie

13
6

24 Jazz Preludes, Op. 53: No. 18, Animato

13
7

24 Jazz Preludes, Op. 53: No. 19, Vivace

13
8

24 Jazz Preludes, Op. 53: No. 16, Andantino

13
9

24 Jazz Preludes, Op. 53: No. 11, Andante

12
10

24 Jazz Preludes, Op. 53: No. 17, Allegretto

12

albums

Kapustin: Between the Lines

Kapustin: Between the Lines

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8 Concert Etudes, Op. 40: No. 8, Finale

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8 Concert Etudes, Op. 40: No. 2, Reverie

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8 Concert Etudes, Op. 40: VIII. Finale

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High Life

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Paraphrase on Dizzy Gillespie’s “Manteca” for 2 Pianos, Op. 129

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