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Artist

Oothukkadu Venkata Kavi

2+ albums
carnatic18th centuryIndian

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Oothukkadu Venkata Kavi (Tamil: ஊத்துக்காடு வேங்கட கவி) (c. 1700-1765) or Oottukadu Venkata Subbaiah Iyer was one of the pioneering composers [1] in Indian classical Carnatic music.He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkadu Venkatasubba Iyer, he composed hundreds of compositions in Sanskrit, Tamil and Marathi of which over 500 are available. These were handed down from generation to generation by the descendants of the composer's brother's family.[2] Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term – melody, rhythm or lyrics and was eloquent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal,[3] he was proficient in a variety of musical forms such as the kriti, tillana and kavadichindu. He used talas and themes that not many other Carnatic composers have preferred to handle. His compositions are a blend of a high degree of scholarship on a variety of subjects and inspired expression. During a lecture demonstration on the composer by Needamangalam Krishnamurthy Bhagavatar in December 1955, The Music Academy Madras Experts' Committee noted that "Venkata Kavi's compositions filled a gap between Purandara Dasa (1484-1564) and the Carnatic Music Trinity of Tyagaraja, Muthuswami Dikshitar and Shyama Shastri, who lived around 1760s-1840s.[4] Several pieces also reveal his humility, reverence for the great personalities bef

top songs

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Krishna Padaadi Keshaanta varnanam

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2

Krithi "Ashaindadum Mayilondru"

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3

Kalinga Nartana Natangam

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4

Alaipaayuthe Kannaa (Saxophone)

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albums

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Flame of the Forest

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Pulse Beat

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