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Artist
Nikos Veliotis (born 26 February 1970 in Athens, Greece) is a Greek musician, composer, and cellist associated with experimental and avant-garde music. He began his musical education studying classical piano before becoming involved in the Athens electronic music scene in the late 1980s. During this period, he co-founded the minimal synth project In Trance 95. In the early 1990s, Veliotis turned his attention to the cello, developing a practice focused on extended techniques, improvisation, and sound exploration. His work includes solo performances, collaborations, and compositions for theatre, dance, and film. He has been involved in several projects, including Mohammad (MMMD), and has collaborated extensively with Giannis Aggelakas. Since the 1990s, Veliotis has remained an active figure in Greece’s experimental music scene. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
# Why Veliotis Deserves Your Attention Veliotis represents a rare figure in experimental music: someone who moves fluidly between classical training, electronic innovation, and avant-garde sound exploration. His trajectory—from minimalist synth work through to extended cello technique—suggests an artist genuinely curious about how instruments can be pushed beyond their conventional boundaries. What distinguishes his approach is the apparent integration of these seemingly disparate practices into a coherent artistic vision. Rather than treating electronic and acoustic exploration as separate pursuits, he appears to ask fundamental questions about texture, improvisation, and sonic possibility across both domains. For those interested in how contemporary classical music intersects with experimental electronic work, his practice offers a