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With its 2015 debut demo, “Spirit of the Entrance unto Death,” Necromantic Worship firmly established itself as a worthy successor to the ancient Greek gods of black metal. Having first re-conjured the evil spirit of the great Necromantia and their brethren with this three-song offering, Necromantic Worship now returns a mere several months later with its second demo, “The Calling…,” which continues in the same arcane spirit as the first, while adding new elements which serve to yield an even greater result. Still enshrouded in the same occult atmosphere as the previous recording, Necromantic Worship’s newest hymns persist in being primarily driven by the locomotive effect of Ghûllzaraën’s pulsing bass lines. Unlike the debut recording, however, the bass guitar on the “The Calling…” is more perfectly bound and enhanced by the irreplaceable sound of live, organic percussion, as performed by Daemonomancer from the Canadian band, Goathammer. Additionally, the band saw fit to recruit the services of Zagan, best known as the guitarist of the legendary Countess, to further augment their archaic sound with a series of inspired, climactic guitar leads. Also unlike the first demo is the fact that the new material was written in a premeditated fashion, as opposed to being the spawn of impromptu rehearsal sessions. While the previous approach was effective in its own right, the greater amount of consideration that went into the songwriting on this release is evident in the structural co