Rectangles

why this is interesting

This project merits consideration for its thoughtful approach to sonic archaeology. Rather than pursuing novelty, it engages with existing recordings as raw material for careful recontextualization—a practice that raises genuine questions about authorship, preservation, and listening itself. The work demonstrates considerable restraint, avoiding both archival fetishism and heavy-handed reinterpretation. What emerges is genuinely curious: pieces that seem to ask what we might hear if we paid closer attention, if we approached familiar sounds from unexpected angles. For anyone interested in how constraint and editorial sensibility can reshape our relationship with music, this offers quietly rewarding material.