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Artist
MILTON CARDONA born in- Mayagüez, Puerto Rico Hey, it’s time to actually talk about Milton. I mean for years, for most of my life, I thought that Milton’s music was either too clear and moving to need talk about it, or too elegant to deserve talk about it, but, man, there’s stuff there that’s either too subtle or too obvious for people to miss, but no one’s mentioned it... Maybe it’s too many layers of complexity, pride, skill, shadows... Check out that one of the master drummers of New York Latin music, maybe the master studio congero, doesn’t actually touch the drums on his only solo record before this (“Bembe”), but that he plays drums eloquently, deeply, through his congregation, the way the Deities play the rhythm through Milton. It’s so clear, it’s so moving, no one’s mentioned it... Check out that although he’s among the deepest conga soloists in the music, nobody can hold the tumbao, nobody can command the tumbao, the ride, the pace, the musical form, the song’s breath, like Milton. And so, that becomes his main function in the music. Ever notice how, during a performance, a recording, MUSIC, if anyone looses the pulse, they look to Milton for the answer? ‘Cause he carries the way: in his wrists, in his palm, in his glance. But it’s more than that, you know it... Guys who only solo come and go, and sometimes get their name at the top, some playing tricks taught to them directly by Milton. But Milton’s role is more fundamental, closer to the heart of it. The music

Bembé

Cambucha
Nu Yorica 2!

Bembe
American Clave
Cambucha (Carmen)
Monk's Dream
Global Meditation: Authentic Music From Meditative Traditions Of The World
Nu Yorica 2!: Further Adventures in Latin Music Chango in the New World
American Clave (Explicit) (Disc 1)
Timmy Regisford[Nyc Club Shelter]
Nu Yorica 2