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Artist

Martha Lorin

6+ albums
Female Voicesjazz

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about

Growing up in Pueblo, Colorado, Martha Lorin found herself at a crossroads of diverse cultures. Martha's early vocal development was nourished by two generations, her Welsh grandmother, Sarah Dalton, a highly touted popular singer of the 1920's, and her jazz pianist/singer/songwriter mother, Margaret Dalton. Martha had her first club gig at age 19 at Enrico Banucci's "Hungry Eye" in San Francisco, where she met long-term mentor, pianist Shelly Robin. After the tragic loss of her husband, Capt. Bruce Walker (shot down in Viet Nam and still MIA) Martha moved to Germany with their one year old baby girl for two years. Upon returning to the U.S. she completed her B.A. in American Literature at the University of Maryland, after which she moved to San Francisco to resume her singing career. Martha's first solo album, "The Best Is Yet To Come," was co-produced by Joni Mitchell's producer and sound engineer, Henry Lewy. After its release Martha toured Japan and the Philippines, and then spent a year in Los Angeles where she met and collaborated with pianist/songwriter Frank Collett. Several of those compositions are included on Martha's new collection, "Don't Slam That Door." New York Times music critic John Wilson says of these collaborations that Martha's "lyrics, with music by Frank Collett, stand up well in the company of such established gems as Strayhorn's "Day Dream" and "Easy Living" by Ranger/Robbins. After living in New York City for some years, Martha now calls Milford,

top songs

1

Every Time We Say Goodbye

42
2

Close Your Eyes

41
3

Rain Song

28
4

Come Walk With Me

27
5

Low Down Blues

22
6

Cinnamon and Clove

20
7

On Green Dolphin Street

20
8

You've Got a Friend

19
9

We Two

19
10

Let's Face the Music and Dance

19

albums

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Come Walk With Me

Blues Over Broadway

Blues Over Broadway

Don't Slam That Door - The Many Moods of Martha Lorin

Don't Slam That Door - The Many Moods of Martha Lorin

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Vocal Jazz

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Don't Slam That Door!: The Many Moods of…

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Don't slam that door

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