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Artist
Lubomyr Melnyk (born December 22, 1948 in Munich) is a Ukrainian composer and pianist who has pioneered ‘Continuous Piano Music’. Affected by the minimalist movement in the early 1970s, he has developed his own unique language for the piano, named after the principle of maintaining a continuous, unbroken stream of sound. Melnyk fell for the piano at an early age and was given lessons as a young child after his family emigrated to Canada after the iron curtain came down; he was immediately transfixed by the possibilities of the instrument. “On the piano, you can create whole worlds,” he reflects. “I realized that it could be an orchestra, a choir of sound.” After studying classical piano and graduating with a degree in Latin and Philosophy from St Paul’s College in Winnipeg, in the early 1970s Melnyk found himself in Paris. Homeless and in desperate need of money, he supported himself by accompanying dance lessons for a company run by the experimental choreographer Carolyn Carlson. The experience became a kind of epiphany: watching Carlson’s dancers, he began to play a new kind of music, spontaneous and improvisatory – responding not to rigid classical conventions but the dance he saw unfolding. Using the sustain pedal to create echo and reverb, he transformed free-flowing cascades of notes into hypnotic waves of sound. Eventually he found a name for this new style: ‘continuous music’, which he uses to this day. Critics have detected the influence of Ravi Shankar and other