Rectangles

why this is interesting

# Les Claypool and the Holy Mackerel This project reveals a musician interrogating his own virtuosity in isolation. By playing nearly every instrument himself, Claypool constructs densely layered soundscapes that feel simultaneously claustrophobic and exploratory—a deliberate contrast to Praxis's collaborative density. The work occupies an interesting space between funk fundamentals and avant-garde experimentation, resisting easy categorization. What emerges is less a showcase of technical prowess than a genuine investigation into texture and arrangement, where unconventional tunings and instrumental choices serve compositional ideas rather than ego. For listeners curious about how experimental rock musicians think when freed from group dynamics, this offers genuine substance: