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Artist
Leopold Spinner (26 April 1906 - 12 August 1980), Ukrainian-born, British-domiciled composer and editor, was a pupil of Anton Webern and may be regarded as a representative of the so-called Second Viennese School. Almost all Spinner’s music was written according to the twelve-tone technique. His early works, up to and including the Zwei kleine Stücke, are clearly influenced by Berg and middle-period Schoenberg. From the mid-1930s the general idiom, expressive intensity, dramatic economy and impeccable craftsmanship bear witness to his admiration for his teacher Webern – and, through Webern, for the whole Austro-German tradition from Bach onwards. Spinner himself carried that tradition a stage further. While retaining the purity and thematically essentialized textures of Webern, his works show a concern for larger and bolder gestures than Webern’s norm. In his later music, beginning with the perhaps ironically named Sonatina for piano, the expressive pressure applied to strict motivic working results in a wholly individual style of almost explosive force. See: Leopold Spinner by Regina Busch, Musik der Zeit 6, 1987 User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Zwei Kleine Stück: No. 1, Andante
152Zwei Kleine Stück: No. 2, Allegro Poco Vivace
123Sonata for Piano, op. 3: I. Moderato
64Sonata for Piano, op. 3: III. Allegro
65Sonata for Piano, op. 3: II. Allegro
56Suite, op. 10, Clarinet and Piano: Moderato
57Suite, op. 10, Clarinet and Piano: Allegro
48Sonata For Piano Op. 3: I. Moderato
29Sonata For Piano Op. 3: II. Allegro
210Sonata For Piano Op. 3: III. Allegro
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