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Artist
La Muerte
12+ albums
Belgiumnoise rockbelgianbrussels1980s
about
LA MUERTE NECROLOGY: 1984: 4 men - 4 riders of the apocalypse. A press release without compromise: “La Muerte, gravediggers dispossessed unfortunate toads legitimate Homeric warriors of a schizophrenic nephritic crusade in a malevolent country, place of delirium and hate of odious persecution, of blood vomited by immense suppurating wounds...” 1984: a record: THE SURREALIST MYSTERY, Dali expo in the ears. Crossover against nature between Belgium and Spain. Inquisition and putrid rock'n'roll: La Muerte makes the abscess in the blues, stinking mouth, and spits and covers Wild Thing. Compared very quickly to Birthday party, Foetus or the Stooges, they sensibly well transport the same resonant extreme image. Yet in some years they become synonymous of the last limit, passing in horror their terrifying eldest. A big part of the specialized international critique doesn't dry up of praises, Belgium is going to follow, and La Muerte becomes quickly a cult group and a reference of the Belgian underground rock. 1985: AND THE MYSTERY GOES ON... The massacre found its goldsmiths and the bleach confirms its new use: the mouth bath. Single of the week in the N.M.E. The waltz of drummers and tours through Europe can begin... 1986: PEEP SHOW / LUCIFER SAM: One live side/one studio side. Syd Barrett disfigured by vitriol. The set of iconoclastic homage’s initiated with Wild Thing is spreading. 1987: EVERY SOUL BY SIN OPPRESSED: over-explored blues roots, Every Soul... impersonate the poo
