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Artist
Kotoka Suzuki / 鈴木琴香 is a composer focusing on both multimedia and instrumental practices. She has produced several large-scale multimedia works, including spatial interactive audio-visual work for both concert and installation settings, often in collaboration with artists and scholars from other disciplines. Her work engages deeply in the visual, conceiving of sound as a physical form to be manipulated through the sculptural practice of composition. Her work often reflects on life, breath and wind. Suzuki’s work has been featured internationally by performers such as Arditti String Quartet, eighth blackbird, Pacifica String Quartet, Continuum, Nouvel Ensemble Moderne, Modelo 62, Mendelssohn Chamber Orchestra (Germany), UMS'n JIP, and Earplay Ensemble, at numerous venues and festivals such as Deutschlandradio-Ultraschall Berlin, Lucerne Festival, Stanford Live, ISCM World Music Days (Tallinn, Vancouver & Hong Kong), ZKM Media Museum, Inventionen, The Stone (NY), Ars Musica (Belgium), Museo Nacional Centro de Arte Reina Sofía (Spain), 21C Music Festival (Canada), San Francisco Tape Music Festival, ICMC (Shanghai, Utrecht, Ljubliana, New York, Montreal, Belfast, Barcelona & Havana), Seoul International Computer Music Festival (Korea), New Music Miami, The Renaissance Society, New York City Electroacoustic Music Festival, SinusTon Festival (Germany), sound:frame Festival (Austria), VideoEx (Switzerland), Klangwerktage (Germany), and Music at the Anthology MATA (NY). Among th