Kate Lindsey

about

The 2019/2020 season sees Kate take on some exhilerating new roles in Europe and the USA. As well as starring in the title role of Orlando in Olga Neuwirth’s new production at the Vienna State Opera, and making her role debut as Mélisande in Pelléas et Mélisande at the LA Opera, she will be returning to the Metropolitan Opera for Handel’s Agrippina, and reprising the role of der Komponist in Ariadne auf Naxos in Vienna. She will also be performing concerts with the Berlin Philharmonic and the New York Philharmonic, and recording a new disk with Alpha Classics, for release in 2020. Ms. Lindsey has already appeared in many of the world’s prestigious opera houses, including the Metropolitan Opera, the Wiener Staatsoper, Royal Opera House Covent Garden, the Bayerische Staatsoper, the Glyndebourne Opera Festival, the Aix-en-Provence Festival, the Théâtre des Champs-Élysées, Santa Fe Opera, Seattle Opera, Los Angeles Opera and Lille Opera. Her repertoire includes Rosina in Il Barbiere di Siviglia, Cherubino in Le nozze di Figaro, Zerlina in Don Giovanni, Idamante in Idomeneo, Sesto in La Clemenza di Tito, Angelina in La Cenerentola, Hansel in Hansel und Gretel, Der Komponist in Ariadne auf Naxos and Nicklausse/The Muse in Les Contes d’Hoffmann. She also created the title role in the premiere of Daron Hagen’s Amelia at the Seattle Opera. An accomplished concert singer, Ms. Lindsey sang the premiere performances of a new commission by John Harbison with James Levine and the Bo