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With their debut Step Away, Katahdin's Edge was celebrated as a roguish jazz piano trio goading a languid standard into confrontation. Roots intact, they produced funk- and rock-inspired grooves with cunning licks and intrepid meter sampling. The Ridge, their latest release, evokes the same adventurous spirit while challenging the equilibrium of tradition and innovation they established two years ago. The Ridge is where simple and evocative contends with infinite possibility, where composer and pianist Willie Myette unravels a new voice in the charged exchange between himself, bassist John Funkhouser, and drummer Mike Connors. A fourth voice emerges in disquieting sounds: a cool whistle like knives sharpening, a jarring squeal like rewinding tape on a reel on "Glad You Called," a strange chanting counterpart to the bass on the title track. The group marries audio effects like looping and distortion with the kinetic meter variations, aggressive improvisation, and haunting melodies that first established Katahdin's Edge as a trio of depth and drama. From the buoyant melody that launches "Glad You Called" through the song's two mood shifts, serpentine sound effects break the surface; they mystify at first then unleash a rising and leaping crescendo. "The Path," rock ballad apparent, grows an understated melodic seed in two measured shoots that unfurl, rolling and sprightly, before a satisfying return to the source. But the understated must eventually yield to vigor, and so, th