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Artist
Judith Shatin is a composer and sound artist whose musical practice engages our social, cultural, and physical environments. She draws on expanded instrumental palettes and a cornucopia of the sounding world, from machines in a deep coal mine, to the calls of animals, the shuttle of a wooden loom, a lawnmower racing up a lawn. Timbral exploration and dynamic narrative design are fundamental to her compositional design, while collaboration with musicians, artists and communities are central to her musical life. Shatin’s music has been commissioned by organizations including the Barlow and Fromm Foundations, the McKim Fund of the Library of Congress, the Lila Wallace-Readers Digest Arts Partners Program, Music-at-LaGesse Foundation, the National Endowment for the Arts and the Virginia State Arts Council. It has been featured at festivals including the Aspen, BAM Next Wave, Grand Teton, Havana in Spring, Moscow Autumn, Network for New Music, Seal Bay, Ukraine, Soundways (St. Petersburg) and West Cork, while orchestras that have presented her music include the Chesapeake, Denver, Houston, Illinois, Knoxville, National, Minnesota and Richmond Symphonies. Shatin has held residencies at Bellagio (Italy), Brahmshaus (Germany), Stiftung Dr. Robert und Lina Thyll-Dürr, Casa Zia Lina (Italy), La Cité des Arts (France), Mishkan Amanim (Israel) and in the US at MacDowell, the Virginia Center for the Creative Arts, and Yaddo. Educated at Douglass College (AB, Phi Beta Kappa), The Juillia

Dreamtigers

Time to Burn

Shatin: Tower of the Eight Winds

Piping The Earth

Keeping Time
Sounds Nature
Milken Archive Volume 18, Album 2: Psalms and Canticles - Jewish Choral Art in America
Double Take: American Reed

Tower of the Eight Winds
A Hanukka Celebration
Milken Archive Vol. 4, Album 2: Cycle of Life in Synagogue and Home
Milken Archive Digital Volume 4, Cycle of Life in Synagogue and Home: Album 4, Funerals and Memorial Services