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Artist
If you’re a living, breathing rock and roll diehard with a pulse just about anywhere across this great country of ours—no one embodies that drive, determination and lifestyle better than JUDGE JACKSON, whose balls-to-the-wall classic take on a noble tradition is the soundtrack to your life. For more than a decade, through four albums, a thousand shows (celebrating that milestone, appropriately enough, at the 27th Laughlin River Run), and shows with Gov’t Mule, Doobie Bros., Cheap Trick, Buckcherry, Army of Anyone, UFO and Joe Bonamassa, among others, this hard-driving quartet’s music can be heard on a variety of TV shows, including the Super Bowl, NHL and NBA playoffs, as well as NASCAR. With their fifth album, Drive, JUDGE JACKSON have put all that road work to good use, with an eclectic collection that doesn’t just show off their patented hard rock rave-ups on songs like the title track, “Just Because,” “Radio” and “Letting Go,” but demonstrates the band’s roots in funk-blues (“The End”), acoustic folk (“Me Then You”) and even country-twang (“Meant to Be”). Produced, engineered and mixed once more by frequent collaborator John Hiler [Stephen Stills, Willie Dixon, Smashing Pumpkins], Drive wears JUDGE JACKSON’s passion for music and the camaraderie of rock on its sleeve. From guitarist Lee Jackson’s slashing power chords, J.J. Garcia’s pounding drums and Brian James’ bass rumble of “Just Because,” as singer Todd McTavish relates the tale of a stripper “who does what she do