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Artist

Juan Del Enzina

12+ albums
Classicalrenaissanceearly musicbaroquespanish

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about

Juan del Encina (born July 12, 1468 – died late 1529 or early 1530). His actual name was Juan de Fermoselle, and was one of at least 7 known children. Fermoselle was a composer, poet and playwright often called the founder of Spanish drama. He was born in 1468 near Salamanca, probably at Encina de San Silvestre. He was of Jewish converso descent. After leaving Salamanca University sometime in 1492 he became a member of the household of Don Fadrique de Toledo, the second Duke of Alba, although some sources believe that he did not work for the Duke of Alba until 1495. A plausible argument is that his first post was as a Corregidor in northern Spain. Fermoselle was a Chaplain at the Salamanca Cathedral in the early 1490s. It was here that he adopted the name Enzina, or Encina during his stay as Chaplain. He was later forced to resign as Chaplain because he was not ordained. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

top songs

1

Folia Hoy comamos y bebamos (1520)

414
2

Villancico: Si abrá en estre baldrés - Juan del Enzina

212
3

Pues que jamás olvidaros

83
4

Amor con fortuna

74
5

Fata la parte

61
6

Mortal tristura me dieron

57
7

Levanta, Pascual

52
8

Hoy comamos y bevamos

50
9

Ay, triste, que vengo

49
10

El que rige y el regido

44

albums

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La Folia (1490-1701)

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The Borgia Dynasty

Romances & Villancicos

Romances & Villancicos

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del Enzina: Romances & Villancicos

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Juan Del Enzina: Romances & Villancicos

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Anthology of Spanish Music

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La Folia

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Romances & Villancicos (Salamanca 1496)

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Royal Minstrels 1450-1690

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Obra completa musical

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Music at the Courts of the Catholic Monarchs and Charles I of Spain

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El Cancionero de Palacio (The Palacio song book): Music at the courts of Ferdinand II of Catalonia-Aragon and Isabel I of Castille

similar artists

Antonio Martin y CollDiego OrtizAntonio de CabezónAnonymeJohannes CornagoAndrea FalconieroCristóbal de MoralesHespèrion XX
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