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Artist
Jon Rose has created a body of radical music, and an alternative cultural context for the violin, its practice and its history. His Fence Project, has seen him, over the last 20 years, explore the sonic possibilities of fences all over the world. In recent months Jon Rose has given a two-day seminar to the Kronos String Quartet on how to play the fence; performed a completely new and improvised solo part for the Tchaikovsky Violin Concerto with the BBC Scottish Symphony Orchestra; created a major radiophonic work for the BBC on the history of the piano in nineteenth century Australia; toured in Europe with his improvisation group 'Futch'; premiered his interactive Ball project at The Melbourne Festival; and been apprehended by the Israeli Defence Forces at the Separation Fence near Ramallah in the Occupied Territories. Born in 1951 in Rochester, UK, Jon Rose started playing the violin at seven years old, after winning a music scholarship to King's School Rochester. He studied violin with Anthony Saltmarsh (exponent of the Knud Vestergaard 'Bach' bow). He gave up formal music education at the age of 15 and from then on was primarily self-taught. Throughout the 1970's, first in England and then in Australia, he played, composed and studied in a large variety of music genres - from sitar playing to country & western; from 'new music' composition to commercial studio session work; from bebop to Italian club bands; from big band serial composition to sound installations. In 197