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With its high-octane rhythm, fiery guitar and undeniable hook, Joanie Leeds' "Bad Girl" is the exclamation point on an album that makes her strongest statement yet. In one 3-and-a-half-minute blast, Leeds displays her lyrical wit, her gift for memorable songcraft, and her ability to write compelling music in a diverse range of styles. Sure, it's tongue-in-cheek, satirizing the mock rebellion of manufactured teen-pop divas, but Leeds' bold and boisterous "Bad Girl" is an emblem of the confidence and promise that permeates her 2nd album, SOUL FROM MY FOOTSTEPS, and the signal of an exceptional rising talent. Adding "Bad Girl"-style power pop, along with blues and funk to her repertoire, SOUL FROM MY FOOTSTEPS builds on the gentle folk-rock of Joanie's previous album without sacrificing any of its sensitivity and warmth. After years of invaluable experience on the New York City circuit, Joanie has emerged with a fully fleshed-out sound and a winning sense of artistic direction and creative independence that separates her from her peers. In the years since the release of her first full record of original songs, 2000's MY JOB APPLICATION KNOWS MORE ABOUT ME THAN YOU DO, the Miami-born Leeds has become a fixture in New York City's musical community. Honing her sound and her craft, Joanie made a second home on the stages of legendary local clubs like the Bitter End and the Living Room, and was invited to participate in prestigious seminars and acoustic roundtable performances orga
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