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Artist
I’m highly motivated,” says postmillennial troubadour Jeremy Fisher. “I love getting my hands in there.” The Vancouver-based writer/artist used those hands (which are generally affixed to his trusty acoustic guitar) to shoot the stop-motion footage and fashion the anthropomorphic title character of his $60 homemade video for “Cigarette,” which has became a viral phenomenon of mega-proportions on YouTube, with north of 2 million views as this is written. Jeremy has a tendency to get his legs involved as well: In 2002, he biked across the entire continent, from Seattle to Halifax, Nova Scotia—and that’s a loooooong way, folks—to promote his first album, Back Porch Spirituals, recorded in a friend’s basement. That trek took six months and included 30 official shows, plus a number of impromptu performances, and it laid the foundation for what is now a sizable fan base in Fisher’s native Canada. He also has a history of busking in the more conventional manner—whatever it takes to get his music heard. We’re talkin’ grass-roots, interactive DIY to the max with this talented and dedicated—or maybe driven is a better word—young artist. Fisher’s new album, Goodbye Blue Monday (released in the U.S. September 18 on Wind-up Records), is a timeless burst of acoustic rock & roll that’s brainy and hook-filled, playful and provocative, all at the same time. Take “Cigarette,” which employs the cancer stick as a metaphor for addictive relationships—the enticement, the yearning, the withdraw