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Artist
Jacques Coursil was born (* 1938 in Paris; † 25. June 2020) but moved to New York in 1965. “In 1965, just around the assassination of Malcolm X, this is a natural propensity of a person of me like, having been in Africa, Senegal, West Africa, now I got to see the United States. I sold my library, I was not old at the time, I was 28 but I had a lot of books so I sold my books, paintings and I started playing almost immediately.” Coursil is nostalgic for those early days in New York, a much different time for the city. “New York has changed considerably. It was extremely appealing. For years, I slept three hours a day. I would go to the theater at 1 am because someone was having a rehearsal there, someplace in a warehouse. I would meet all sorts of people. People were friendly, open, not keeping their stuff for themselves.” This environment was a particularly expansive one. The October Revolution in Jazz was still fresh and the movement of free players in New York was substantial. The young trumpeter, whose experience was more traditional, found the city invigorating and in line with his philosophical thinking, concepts that would serve him in his then future career. “I had a lot of things intellectually also to unlearn all the time. This is how knowledge goes, it doesn’t pile up, it takes out what was only beliefs and it gets clearer and clearer or maybe it becomes the opposite, it becomes more chaotic because you discover a fact you believed was true was not... What I am inte