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Artist
Quellet’s approach to musique concrete and sound manipulation pays careful homage to the likes of Pierre Schaeffer and Luc Ferrari but Quellet's own mark remains distinct. His work has its own voice despite the weight of history that he is composing against. It is nice to hear a fresh take on what has become a stodgy and uninspired field of music; he clearly has a lot of talent and a good ear for sound. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Pour percussions et saturation
1592Pour Orgue Et Percussions
1053Pour orgue, voix
1034Pour Orgue
945Pour Rameur De Fitness
926Pour Caisse Claire, Balais Et Saturation
767Pour Basse, 'Maison' Percussions, Sons Divers
518Les Bouffisures, Les Croupissures, Pour Voix, Percussions, Orgue, Sons Divers
429Les orgues de là (Organs from Over There)
4210Pour Pas Et Frappes Sur Marches D'Escaliers, Gaz Carbonique Expulse
40
Soni Sclavus
Oppressum
Rythmes d'Estain

An Anthology Of Noise And Electronic Music / Seventh And Last A-Chronology 1930-2012

Rythmes d'étain
An Anthology of Noise & Electronic Music: Seventh and Last A-Chronology 1930-2012
Sounds From There

An Anthology of Noise & Electronic Music, Vol. 7
An Anthology of Noise & Electronic Music: Seventh and Last A-Chronology 1930–2012

An Anthology of Noise & Electronic Music / Seventh and Last a-Chronology 1930-2012

Instrumental

Rythmes D'Etain