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Artist
In more than fifteen years of their joint activity, Czech artists Irena Havlová and Vojtěch Havel have passed through several distinctive stages of development. They started to work together in the mid-80s, at the experimental Capella Antiqua e Moderna ensemble which won both public and critical acclaim. The repertoire of that unique association of musicians of the same generation, well versed in music history, spanned various styles of European classical music, ranging from the Renaissance to contemporary music, which they performed with extraordinary facility yet very convincingly, and within it the Havels, a husband-and-wife duo, were able to develop what since the very beginning had been a very unorthodox approach to both historical and modern compositional techniques and interpretive procedures. Besides appearing with that ensemble they were intensively collaborating with many other leading Czech and foreign artists since the late 1980s, gradually creating their typically unclassifiable, multi-style and multi-media sound and image collages. Their favourite partners included Jiří Stivín, Czech jazz multi-instrumentalist of world renown, avant-garde drummer Alan Vitouš, and impulsive guitarist Tony Ackerman, as well as dancers Karel Vaněk and Eva Černá, painter Radek Pilař, and others. In 1990, with their joint projects with spiritually allied singer-songwriter Oldřich Janota as a logical peak, that stage came to a close and a new one began, with them embarking on their o