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Artist
The grammatical definition for the term “idiom” reads, “. . . the language of a peculiar people; the syntactical, grammatical or structural form of artistic expression that is characteristic of a movement.” It is this definition that best embodies Idiomz da Prophesayer as both a producer and a lyricist. Influenced heavily by music all of his life, Idiomz (born Damon Curtis) has cultivated these influences into a tool by which he may effect others as he, himself once was. As a master of syntax, he manipulates beat and rhyme in such a way that he is re-defining a movement: A return to faith and the acceptance of Jesus Christ. The debut release of “Come Hell or High Water” in the late summer of 2010 was a defining moment in the life of Idiomz da Prophesayer. It served as the introduction of his ministry to the world at large, and has been truly a labor of love in its undertaking. It is gritty, deliberate and borderline in its composition while maintaining relevancy, honesty and spirituality. It is not your typical Christian rap album. What “Come Hell Or High Water” is not, is trendy. It does not boast of the typical cookie-cutter “hip-hop” beats that dominate the genre at present. It does not cater to an “industry standard”. It is an exception to the rule. It is a collection of sonic dissonance where no two songs sound alike; however, the overall outcome just seems to work. It is not preachy in nature; rather, it is meant to be a display of real-life scenarios to which one can