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Artist
The baritone, still in his twenties, is recognized internationally as one of the most exciting British singers to have emerged in recent years. Career highlights include Count Almaviva/The Marriage of Figaro (Opéra National de Lorraine); Ned Keene/Peter Grimes (Enescu Festival); Harlequin Ariadne auf Naxos (Festival d’Aix-en-Provence, Paris’s Théâtre des Champs-Élysées); Schaunard/La bohème (Zurich Opera House); Marcello/La bohème (Barrie Kosky’s new production, Berlin’s Komische Oper); the Prince of Mantua/Fantasio (Garsington Opera); and Rendall’s return to the Salzburg Festival to perform in the “Mozart Matinee” series. The baritone has given many recitals in the U.K., and on the concert platform he has appeared with the Scottish Chamber Orchestra and the RTE National Symphony Orchestra. He is an alumnus of the Jerwood Young Artist program at Glyndebourne (where he sang Fiorello/The Barber of Seville and received the much-coveted John Christie Award), the Salzburg Festival’s prestigious young-artist program, and Zurich’s International Opera Studio. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Hamlet, Act 3: Récitatif. "J'ai pu frapper le misérable" - Air. "Être ou ne pas être" (Hamlet)
602Roméo et Juliette, Act 1: Ballade. "Mab, la reine des mensonges" (Mercutio)
523Die Zauberflöte, K. 620, Act 2: Duett. "Pa-Pa-Pa-Papagena" (Papageno, Papagena)
474Die tote Stadt, Op. 12, Act 2: "Mein Sehnen, mein Wähnen" (Fritz)
365Faust, Act 2: Récitatif. "Ô sainte médaille" - Air. "Avant de quitter ces lieux" (Valentin)
326Lieder eines fahrenden Gesellen: No. 1, Wenn mein Schatz Hochzeit macht
277Billy Budd, Op. 50, Act 2: "Look Through the Port" (Billy)
268Lieder eines fahrenden Gesellen: No. 2, Ging heut' morgen über's Feld
249Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben)
2410Lieder eines fahrenden Gesellen: No. 3, Ich hab' ein glühend Messer
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