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Artist
Huck Hodge (b. 1977, Gainesville, FL) is an American composer resident in Seattle, Washington. Hodge's music "is influenced by the fields of Psychoacoustics and Cognition, eastern and western philosophical inquiry and music of the early Renaissance" [1]. From an aesthetic standpoint, his works are influenced by French Spectralism while maintaining rhythmic and textural complexity that is reminiscent of music of the German post-war Avant Garde [2]. Biography Hodge's first musical training took place in Oregon. In 1999 he began a course of study in Germany at the Musikhochschule in Stuttgart with funding from the Deutscher Akademische Austauschdienst. Between 2002 and 2008 he was an Andrew W. Mellon Foundation Fellow at Columbia University where he studied Composition under the instruction of Tristan Murail and Fred Lerdahl. Hodge is the winner of the 2011 Rome Prize, the 2008 Gaudeamus Prize and the Aaron Copland Award from the Bogliasco Foundation. He is an assistant professor of composition at the University of Washington, Seattle. Catalog of Works Le Tombeau de Chopin [2009] * written for the 2010 ISCM World New Music Days, Sydney, Australia Apparent Motion [2008] String Quartet [2008] * commissioned by the American Composers Forum with funding from the Jerome Foundation Efflux for Clarinet and Violin [2007] In Lumine for SATB Choir [2007] Two Preludes for Harp solo [2007] Out of a Dark Sea (Fl/Alto Fl, Cl/Bcl, Hrn, Perc, Harp, Pno, Vln, Vcl and Elec
Pools of shadow from an older sky: I. Machine elegy—Do appliances sing of electric sleep?
222Alêtheia
223Pools of shadow from an older sky: III. Music for a starry night (cadenza improvvisata)
194Pools of shadow from an older sky: IV. In lost Venetian air
175re[(f)use]
176Pools of shadow from an older sky: II. Ave Maris Stella
167Pools of shadow from an older sky: V. Shadows from an older sky
158Out of a Dark Sea
129I. Machine elegy - Do appliances sing of electric sheep?
610Transfigured Etudes: IV. Interlude II–Phantoms
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