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Artist
Harold Melvin Triggs (December 25, 1900 - July, 1984)[1][2] was an American composer and pianist. A native of Denver, where his father directed a company which sold musical instruments,[1] Triggs studied at the Bush Conservatory under Julie Rivé-King,[3] and also had lessons with Josef Lhévinne.[4] He had a long career as a teacher, beginning at his alma mater[3] and continuing at the Juilliard School and Columbia University. Concurrently he appeared as a concert pianist, both alone and as a duo with Vera Brodsky. Most of his music is for piano; other works include the orchestral The Bright Land, which was taken up by Leopold Stokowski and Howard Hanson among others, and recorded by the latter.[5] As a pianist Triggs made a number of piano rolls during his career.[1] Triggs died in Thomasville, Georgia.[1] His papers are held by Columbia University.[2] User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Danza Braziliana (version for violin and piano)
52Six Surrealist Afterludes: Personage Throwing a Stone At a Bird
53Six Surrealist Afterludes: The Persistence of Memory
44Six Surrealist Afterludes: Mama, Papa Is Wounded!
45Six Surrealist Afterludes: Melancholy and Mystery of a Street
36Six Surrealist Afterludes: 2 Children Are Menaced By a Nightingale
27Six Surrealist Afterludes: Catch as Catch Can
28II - Picabia - Catch as catch can
19Danza Braziliana
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