Harlem Hamfats

about

The Harlem Hamfats was a Chicago jazz band formed in 1936. Initially, they mainly provided backup music for jazz and blues singers, such as Johnny Temple, Rosetta Howard, and Frankie Jaxon for Decca Records, but when their first record "Oh Red" became a hit, it secured them a Decca contract for fifty titles. They launched a successful recording career performing danceable music. The group was not from Harlem nor were they "hamfats". The name 'hamfat' derives from early 20th century slang in which the word was used to designate something as second-rate or a poor substitute. There is some disagreement about the roots of the word. Some believe it refers to a 'hamfat' cut of meat, which was cheaper and of poorer quality than the lean part of the ham. It has also been suggested that hamfat was used by poor country boys to grease the cork on their instruments, as opposed to the city slickers, who could easily find and afford cork grease.[citation needed] Others hold that it refers to a method black face comedians had of adhering burnt cork makeup with hamfat. Regardless, the name was most likely adopted in a spirit of facetiousness, since by all measurable standards the band members were talented musicians. Despite their name, the Hamfats were based in Chicago, and were put together by record producer and entrepreneur J. Mayo Williams simply for the purpose of making records - perhaps the first group to be so created. None of the members of the band were actually from New York. "

top songs

albums

Harlem Hamfats Vol. 1 1936

Harlem Hamfats Vol. 4 1938-1939

Harlem Hamfats Vol. 3 1937-1938

Harlem Hamfats Vol. 2 1936-1937

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White Mink Black Cotton (Electro Swing versus Speakeasy Jazz) - CD2

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White Mink: Black Cotton (Electro Swing vs Speakeasy Jazz)

Let's Get Drunk and Truck

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Hamfat Swing 1936-1938 (Blues Collection)

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Marijuana Hemp Jazz

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White Mink: Black Cotton

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Hamfat swing

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Let's Get Loose : Folk & Popular Blues Styles from the Beginnings to the Early 1940s

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