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Artist
Hans Grüsel's Kränkenkabinet Born in the Mecklenburg-Vorpommern region of Northeast Germany, Hansel Urnst Grüsel graduated from Berlin Polytechnic then escaped to the west inside of a cider keg, where he began an arts collective Fleischwagen Für Größere Gesamtkunstwerk (FWFGGKW) with, amongst others, the Schenker brothers of the soon-to-become hard rock group Scorpions. The collective attempted to build a 50-foot guitar which, in performance, was an utter failure. The Schenkers and Hans, at aesthetic odds, split ways: the brothers to pursue rock stardom; Grüsel retreating to East Germany to continue his pursuit of Fleischwagen Für Größere Gesamtkunstwerk via the live electronic medium. Grüsel vanished behind the Berlin Wall were he founded the electronic music studio CCCEMA. During this time he received mention in the Cream Magazine article: Who Were They, and Where Are They Now, naming Hans Grüsel as: "...the Vincent Price of the unknown East German avant-garde." This interval has come to be known as the "Totenbett/Ruhebett" period. After the reunification of Germany, Grüsel slowly made his way back to the west. In 2000 he immigrated to San Francisco where he was engaged by the "High Speed, NASA-D, Electronics and Cardboard" scene stewarded by such groups as Phone Ix, Cunch D'Nicer, Rubber-O-Cement, and Muscle Spurs and the Skull Capture Rigs. People have compared him to a cross between " ... a frowning wood-man squatting polka grunt-gorrilla wrestling organs or Muzak with