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Artist
Habib Koité & Eric Bibb first met ten years ago, when both were invited to play on the album Mali to Memphis (Putumayo). They struck a chord, exchanged a few notes, and then a few songs. A connection was established, friendship followed. Both recognized that blues has its roots in Africa. The dialogue continued and a follow-up meeting launched the project that would become Brothers in Bamako. When Koité and Bibb sat down to begin recording the new album, any geographical or cultural differences vanished, and what was left was two artists with their own particular backgrounds, but with a similar vision arriving at a common ground that joined their music as one. Leon Bibb, Eric’s father, who associated just as much with Paul Robeson as Pete Seeger, celebrated the popular origins of these songs. Koité balances the subtle nuances of West African guitar playing and its abundant musical styles. He studied music at the National Arts Institute in Bamako, Mali, which allowed him to turn this musical education into a unique approach in which his cultural roots are just one element in service of his ideas. Both men draw on the organic material of tradition and the numerous world realities that demand their comment to release a sung vision, a musical cry of hope. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.