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Artist
In the early 90s, a new generation of composers, musicians, sculptors, authors, actors, etc. emerged with its own identity in Havana, even though some of their creations had already been well-known for some years in the islands cultural circles. The hopes, outlooks, anxieties of our generation, personified by culture, are gaining ground in Cubas cultural landscape and around the world, through the interest our culture rouses. One member of this creative generation is Habana Abierta, whose music is an integral part of Cuba's cultural heritage. To understand Habana Abierta, we have to talk about Gema y Pável, who undertook something they had been fostering for some years as a personal project: to produce a compilation of everything they and their peers had been doing in Havana clubs with hardly any resources. Initially, Luis Alberto Barbería, Pepe del Valle, Carlos Santos, Boris Larramendi, Superavit, Andy Villalón, Kelvis Ochoa and José Luis Medina, backed by the NUBENEGRA recording label, gave us a first glimpse released under the name Habana Oculta. In July 1996 most of them travelled to Spain (except for Carlos Santos, Raúl Ciro and Alejandro Frómeta: Superávit) to showcase their music at several festivals and clubs, and very soon spurred interest among audiences and the media alike, and even well-known Spanish artists and musicians. Ana Belén and Víctor Manuel, along with Ketama, are the first to show an interest and to take the initiative in a gradual and rich exchange wi