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Artist
H Y B R I D
12+ albums
Technical Death Metalmath metalmathcoredeath metalspanish
about
HYBRID was born in march 2004 when Chus Maestro (ONE LAST WORD and SUPRA) recruits members from HUMAN MINCER and WORMED with the intention of setting up an extreme music project to break down the walls of mainstream music. In june 2005 the band record: “Beyond Unadeniable Entropy”, a 6 song debut MCD of avant garde, eclectic and mathematic metal released the next year by Deadwrong Records which got great reviews. The band has been playing live with TOOL and DEFTONES within Festimad Sur'06, NAPALM DEATH, CEPHALIC CARNAGE, MISERY INDEX, TEXTURES, MOHO, MACHETAZO and LOOKING FOR AN ANSWER between others. In the beginning of 2007 the band enter Sadman Studio to record their first full length album: “The 8th Plague”, mastered by Alan Douches (MASTODON, THE DILLINGER ESCAPE PLAN) and artwork by Seldon Hunt (NEUROSIS, ISIS), wich was released by english label Eyesofsound in August 2008. “The 8th Plague” received an outstanding reception worldwide, as it was selected as one of the best albums of the year in several specialized media, positioning the band as the next big thing in experimental and extreme metal. - Rafa Fernández: vocals - Iván Durán: guitar - Antonio Sánchez: guitar - Alfonso Vicente: bass - Chus Maestro: drums www.myspace.com/hybridmetal www.myspace.com/eyesofsound www.eyesofsound.com User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
why this is interesting
# HYBRID This project emerged from a deliberate collision of musicians intent on dissolving boundaries between experimental and extreme music. *Beyond Undeniable Entropy* demonstrates genuine compositional ambition—its six tracks weave mathematical precision with avant-garde sensibilities, refusing easy categorization. Rather than merely stacking heavy riffs atop complexity, the band constructs intricate architectures where every element serves ideological purpose. The result feels neither nostalgic nor trendy, but genuinely exploratory. What distinguishes this work is its intellectual rigor paired with uncompromising sonic commitment. These musicians appear less interested in technique for its own sake than in using extreme music's vocabulary to articulate something conceptually substantive
