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Artist
Greg Murphy can burn with the best of them. Having played with and been nurtured by great musicians representing the traditions of Chicago, New Orleans, and New York, Greg has developed his own voice, which truly makes him part of the jazz lineage. Maxwell Chandler writes in a 2009 review of Rashied Ali Quintet’s Live in Europe: “Throughout the album Greg Murphy’s piano possesses a cerebral element which allows for shimmering smoke and discordant percussive runs while never becoming overly fragile or sounding as if merely hitting the keys hard and fast.” In a 2007 review of Greg’s CD Orientation, Charles Winokoor of Cadence Magazine writes “…throw a tongue-twisting, rapid-fire chart at this son of a gun and watch out - he can burn with the best of them. And did I mention his band is the embodiment of liquid flame? Well they are, and so is Murphy, which is why one should keep posted.” Greg began his musical adventures in 1971 when he joined the Ray-Fisk Grammar School Band in Chicago. His classical studies began later that year with Lucia Santini at Roosevelt University. Between 1980 and 1984, he played with the jazz/funk band LFTR, The University of Illinois at Chicago (UIC) Big Band, The Northern Illinois University (NIU) Big Band, and other local Chicago bands. A jazz study grant from the National Endowment for the Arts in 1984 gave Greg the opportunity to go New Orleans and study with the eminent pianist and jazz educator, Ellis Marsalis. He remained there and began r