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Michigan-based Northern Rock collective the Great Lakes Myth Society declared itself a proper entity on January 1st 2003. The groups' previous incarnation as the "Original Brothers and Sisters of Love" yielded two critically-lauded albums (1999s The Legende of Jeb Minor and 2001's H.O.M.E.S.) for the Brooklyn, New York indie label The Telegraph Company (Kelley Stoltz, Stew, Finishing School) and successful appearances at New York City's Knitting Factory, CMJ, SXSW and Bostons NEMO Festival, but by 2002 the amicable departure of violinist and native New Zealander Elisabeth Auchinvole and the record company's untimely financial collapse had left the band with two gaping holes in its side and a mammoth completed record with no home. Rather than fold up their maps and head inward, Timothy Monger (accordion, guitar & vocals), James Monger (guitar & vocals), Gregory McIntosh (guitar & vocals), Scott McClintock (bass & vocals) and Fido Kennington (drums & vocals) adorned themselves in the most affordable black suits available, changed their name to reflect the region from which they drew their power and began to shop what would eventually become their formidable debut. It wasn't long before the newly minted "Great Lakes Myth Society" began sharing stages both locally and regionally with artists as diverse as Andrew Bird, Danielson, The Gourds, Saturday Looks Good to Me, The Hidden Cameras and The High Strung, eventually breaking through into the often impenetrable Detroit music scen

Compass Rose Bouquet

Great Lakes Myth Society
SXSW 2008 Showcasing Artists

Rainbows Single
Compass Rose Boquet
Compas Rose Bouquet
GLMS Spring 2008 Single
The Past and Pending

She's Come Home to Steal Her Rainbows / Brablec Farms
The Great Lakes Myth Society
Heart in Hand
Live In the Studio Acoustic Demo