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Artist
You may already know Denton Peschier (AKA Gitta Dan) as one-half of the premier gospel reggae dancehall duo "Tiko and Gitta". These two brought you Lion of Zion's critically acclaimed "Royal Priesthood" release in 2002. It has been two years since this dynamic duo parted ways to pursue separate ministries as solo artists. Don't view this split as a matter of division, but rather multiplication. Though it was tough at the time, when you look back it all makes sense. Both are currently leading successful music ministries with their tremendous talents and more fruitful than when they were together. With Tiko's debut release through Flow Masters still in the works at the time of this review, Gitta is the first out of the gate with "Reggaematic Worship", one of the most engaging albums that I have ever heard. While a "rootsy mix of reggae and dancehall" may sound like a contradictory statement, on "Reggaematic Worship", Gitta has found a unique way to add a little dancehall flavor while maintaining an organic (and even sometimes acoustic) flavor to the often-digitized domain of dancehall. Gitta is a man of many voices. He is a prolific songwriter with a knack for impersonations. While he has his own distinct sound, he often spices up his songs with dead-on imitations of the likes of Sizzla, Yami Bolo, Nicodemus and Buju Banton to name a few. He spits low gruff lyrics one minute, and then in the blink of an eye switches to falsetto shrills without missing a beat. Who needs a si