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Artist
German Oak
12+ albums
krautrockpsychedelicProgressive rockPsychedelic Rockexperimental
about
In the strange Olympic summer of 1972, the Düsseldorf instrumental group (community of 5 hippies / open mind artists) German Oak entered the Luftschutzbunker (or Air Raid Shelter), in order to record their first self-titled LP. The purpose of recording in a bunker was to recreate the feelings experienced by German soldiers during the Allied invasion of 1944. The strange acoustic conditions in the bunker made the music, which was a series of long, spacious guitar jams, sound distant and filled with echo. Julian Cope, in his in-depth review of the album, describes the bands sound in unequivocal terms: "...imagine a brutally recorded, brazen and ultra-skeletal industrial white funk played with all the claw-handed technique of the Red Crayola recording their famous Hurricane Fighting Plane". By consequence German Oak's music is very tortured, dark and weird, dominated by heavy, "distorted" guitar solos & rhythms. The background creates "painful" & "ambient" sequences thanks to delay echoes, electronic "fuzzy" noises & repetitive bass lines. A funkadelic / jazzy felt punctuates with discretion this grandiose. In a rather discretion they also recorded (1972-76) the moody, cloudy and experimental epic-kraut Nibenlungenieg. Following in the footsteps of the percussive and organic Organisation and the remarkable Dom, German Oak had every reason to believe that this 3rd LP to be recorded by a Düsseldorf band would be warmly received. Unfortunately, German Oak were not only wrong in
