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Artist
Though now lesser-known and neglected (but not of lesser quality), German baroque composer Georg Caspar Schuermann (b. 1672/73 Idensen, n. Hannover - d. 25 February, 1751 Wolfenbuettel) was once considered Bach's and Haendel's equal. He studied in Venice and Hamburg and wrote religious music, as well as a number of operas, such as Endimion (1700, Salzthal), Orlando Furioso (1722, Braunschweig) or Ludovicus Pius (1726, Braunschweig), which played a preponderant role in the history of early German dramatic music. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Schürmann: Die getreue Alceste: Sinfonia pour la tempête (1719 Hamburg Version)
2862Schürmann: Sinfonia pour la tempête
1163Schürmann: Die getreue Alceste: "Non ha fortuna il pianto mio" (Hyppolite)
794Suite "Ludovicus Pius" (Louis the Pious): I. Ouverture
465Suite "Ludovicus Pius" (Louis the Pious): II. Menuet
436Suite "Ludovicus Pius" (Louis the Pious): IV. Gigue
427Suite "Ludovicus Pius" (Louis the Pious): V. Staccato
408Suite "Ludovicus Pius" (Louis the Pious): III. Ballet - Entre
399Suite "Ludovicus Pius" (Louis the Pious): VII. Ballet II
3910Suite "Ludovicus Pius" (Louis the Pious): VI. Ballet I
38Ouvertüren: Music for the Hamburg Opera
Schürmann: Die getreue Alceste

Schürmann: Cantatas
Ouvertüren
Amazone
Schürmann: Jason
Century: La musique des siècles, volume 14: L'Allemagne du baroque tardif
Terra Mater
Jason
Die getreue Alceste (2018, Hochman)
Akademie für Alte Musik Berlin
Suite 'Ludovicus Pius'