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Artist
Frederick Charles Judd (often credited as F. C. Judd) was a British electronics writer and engineer active in mid-20th-century tape, hi-fi, and electronic-sound culture. He appeared prominently in the amateur recording press as part of Amateur Tape Recording’s technical/editorial staff, and he authored early popular-technical books introducing electronic music to enthusiasts, including Electronic music and musique concrète (London: Neville Spearman, 1961) and later Electronics in music (Spearman, 1972). Later scholarship on UK electronic-music resources notes a facility connected with him (“F C Judd (Sound Recording Ltd) (1960)”), and a 1992 amateur-radio publication documents him demonstrating a working replica of Heinrich Hertz’s wireless apparatus at the University of East Anglia. A retrospective compilation, Electronics Without Tears, gathers material attributed to him as an electronic sound-maker. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.
Electronic Themes #1 - Delta F
3352Electronic Themes #2 - Study in Sinetones
3043Electronic Themes #3 - Sound Object
2884Electronic Themes #4 - Montage
2645Electronic Themes - Delta F
566Electronic Themes - Study In Sinetones
507Musique Concrete - Montage
388Musique Concrete - Sound Object
339Electronic Themes - Delta F 1961
3110Electronic Themes - Study in Sinetones 1961
25Electronic Landscapes
Creelpolation 1 - 7" Singles
Creelpolation 1 (Disc 1)
Creelpolation Disc 1

Creelpolation
Creelpolation 1
Creelpolation.1 (Singles)
G-Spots: The Spacey Folk Electro-Horror Sounds of the Studio G Library
Electronics Without Tears

Electronic Themes and Musique Concrête
daphne oram & the birth of modern electronic music
Battle With The Invisible Monster ~ Visionary Electronic, Ambient, Avant-Garde & Space Age Sounds