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Artist
Francesco Tristano
12+ albums
pianoelectronicminimalambientcontemporary classical
about
Destroying in order to create… Creating in order to destroy… 14th February 2005, a pianist played some Contemporary Classical and Baroque music in a Paris Venue, and eventually concluded with a hypnotic cover of "Strings of Life". This concert stands for InFiné's Founding Act. Three years and one album later, our pianist is more than ever driven by his desire to smash musical categories into pieces. With " Auricle Bio On" and Moritz von Oswald's Midas Touch, Francesco Tristano delivers a keystone, propelling his career towards new and unexplored sonic territories. A perfect opportunity for inFiné to introduce Hybrid, its new collection of twisted and subversive releases, precisely aimed at rekindling one's enthusiasm for music creation. With one foot in the Classical music and the other in Electronic Music networks, Francesco found his balance by executing acrobatic splits between two antagonistic genres, which makes him one the most unique and surprising profiles of the decade. As a Classical pianist, he attended some of the best music schools in the world, performed many critically acclaimed interpretations of Frescobaldi, Bach, Ravel or Berio and received awards in many prestigious competitions. Barely over 25, he has already played at some of the world's largest auditoriums, such as New York's Carnegie Hall, Berlin's Philharmonie or Paris' Cité de la Musique. His adventures in the Electronic music circles started on his arrival at the renowned Juilliard School of Ne
top songs
albums
Piano Circle Songs
Not For Piano (IF1001)
The Melody - EP
Grey Light (Christian Löffler Remix)
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Apparat-Things To Be Frickled
Not for Piano
Chi No Oto (Solo Piano Version)
Lazaro (Solo Piano Version)
Tokyo Stories
Neon City
RAVEL: Piano Concerto in G major / PROKOFIEV: Piano Concerto No. 5 / SCHLIME: 3 Improvisations
bachCage