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Artist
Based in New York City, Erin Rogers is a Canadian-American composer, saxophonist, and performance artist dedicated to new and experimental music. Her works explore the intersection of chamber music, sound alchemy, and theatre, using human elements such as vocals, improvisation, and performance practice to inform timbre, gesture, and theme, moving freely between acoustic and electronic worlds. Erin’s works have been performed at Lincoln Center, Carnegie Hall, Roulette, The Knockdown Center, Cleveland Institute of Music and Merkin Hall, by ensembles such as mise-en, Loadbang, Stony Brook Contemporary Players, Versipel, Hypercube, thingNY, and nief-norf, with recent commissions from the 2018 MATA Festival, Alia Musica Pittsburgh and Decoder Ensemble (Hamburg). Called a “rising star” (Broadway World), her work has crossed genres from theatre-to-installation-to-silence, through collaborations with Orange Theatre, Panoply Performance Laboratory, Harvestworks, and Music for Contemplation. Internationally, her music has been featured at the Círculo de Bellas Artes, Madrid; Museum Concert Hall, Taiwan; Le Cité Universitaire, Paris; and the World Saxophone Congress in St. Andrews, Scotland. Her work Trajectories for 5 vocal-instrumentalists was performed for New York City Mayor, Michael Bloomberg, featured on the 2015 Ecstatic Music Festival, covered by the cast of Broadway’s Natasha, Pierre & the Great Comet of 1812, and is currently available on Gold Bolus Recordings. Her solo perfo