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Artist
Eric Nathan’s (b. 1983, New York, NY) music has been called “as diverse as it is arresting” with a “constant vein of ingenuity and expressive depth” (San Francisco Chronicle), “thoughtful and inventive” (The New Yorker), and as “a marvel of musical logic” (Boston Classical Review). A 2013 Rome Prize Fellow and 2014 Guggenheim Fellow, Nathan has been commissioned by leading ensembles and institutions including the New York Philharmonic, Milwaukee Symphony Orchestra, Tanglewood Music Center, Aspen Music Festival, Boston Musica Viva, Collage New Music, The New York Virtuoso Singers, Fromm Music Foundation, Barlow Endowment and University of Chicago’s Grossman Ensemble. The Boston Symphony Orchestra has commissioned three works, including a chamber work, “Why Old Places Matter” (2014) for the Boston Symphony Chamber Players, and two orchestral works, “the space of a door” (2016), that Andris Nelsons and the BSO premiered in November 2016 and commercially released on the Naxos label in 2019, and “Concerto for Orchestra” which Nelsons premiered on the 2019-20 season-opening concerts, and was scheduled to repeat at Tanglewood in summer 2020. Nathan’s works have also been presented nationally and internationally at the New York Philharmonic’s 2014 and 2016 Biennials, Louvre Museum, Library of Congress, the 2012 and 2013 World Music Days, Emily Dickinson Museum, Nasher Sculpture Center and at the festivals of Aldeburgh, Aspen, Cabrillo, Domaine Forget, MATA, Ravinia Steans Institut
the space of a door
552Double Concerto No. 2 for two solo violas and strings: IV. Embracing; with warmth
293Missing Words I: III. Fingerspitzentanz (Fingertips-Dance)
274Omaggio a Gesualdo
185Missing Words I: II. Herbstlaubtrittvergnügen (Autumn-Foliage-Strike-Fun)
186Paestum (for Orchestra)
177Missing Words I: I. Eisenbahnscheinbewegung (Railway-Illusion-Motion)
168Four to One
139Three by Three: II. Lontano
1310Three by Three: I. Moto perpetuo, Presto
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