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France's Ensemble Correspondances and its director, Sébastien Daucé, have created acclaimed recordings and performances that explore the sumptuous French choral repertory of the 17th and 18th centuries. Much of its music is newly unearthed, and the group's appeal lies partly in how it presents fully realized performances of music of which its audiences had previously been completely unaware. Daucé, the founder and artistic director (a student of Françoise Lengellé and Yves Rechsteiner), met other members of the group when all were studying at the National Conservatory of Lyon, France. The students joined forces in 2009 as Ensemble Correspondances, using their access to libraries to uncover works that, in many cases, had not yet been published and, to quote the group, were "just waiting to be revived by young and passionate musicians." O Maria!: Psaumes & Motets Marc-Antoine Charpentier The ensemble wasted little time in issuing its first album, O Maria, which was devoted to the music of Marc-Antoine Charpentier. Issued by the Belgian label Zig Zag Territoires, the album garnered favorable debut distinctions from such publications as Diapason and Fonoforum. Its sophomore release, L'Archange et le Lys, explored the sacred music of the almost unknown ancien régime composer Antoine Boësset and won similarly positive notices. The group toured Colombia in 2012, and the following year it was signed to Harmonia Mundi; its debut for that label, a recording of Charpentier's Litanies
Ballet Royal de la Nuit, Première partie: II. Entrée "Prothée"
2752Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia)
2263Little Consort of 3 Parts, Suite III: IV. Saraband
2224Messe à 4 chœurs, H. 4: Kyrie I
1615La Descente d'Orphée aux Enfers, H. 488, Premier Acte, Scène 1: Soutiens-moi, chère Œnone
1606Le Concert Royal de la nuit: Ouverture
827Le Ballet Royal de la Nuit: Florimond médite sa vengeance (Une magicienne et quatre vieilles sorcières)
808Ballet Royal de la Nuit, Première partie: Ouverture du Ballet
759Sub tuum praesidium, H. 28
6210Dies iræ
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Perpetual Night: 17th Century Airs and Songs

Charpentier: Messe à quatre chœurs - Carnets de voyage d'Italie

Ballet Royal de la Nuit

Le Concert royal de la Nuit
Charpentier: Histoires sacrées

Les Plaisirs du Louvre, Airs pour la Chambre de Louis XIII

Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator
Marc-Antoine Charpentier: La Descente d'Orphée aux Enfers

Septem Verba & Membra Jesu Nostri
Locke: Psyche
Etienne Moulinié: Meslanges pour la Chapelle d'un Prince

Charpentier: Litanies de la Vierge, Motets pour la maison de Guise